THE MARK OF THE ATLAS

Into the heart of the city you go.Down below the lowest levels of the city, somewhere beyond the twisty maze of passages, several of the paths converge in a huge underground cavern. Here the air is blissfully cool compared to the desert above. A single shaft of light shines down from somewhere on the surface; motes of sand drift lazily as if suspended in the light. Elsewhere, the cave is lit by small clusters of glowing fungus that live off the moisture collected down here. Dim but navigable for most.
But perhaps the most striking items in the area are the
monoliths. Great fragments of stone over three meters long, too smooth to be natural but too jagged to be whole either. Several of them glow from the pulse of energy running through them. Others, while dark, have recessed notches large enough for a person’s hand. And still another group seems nearly shattered, a larger fragment surrounded by smaller ones. All of them react when the interlopers draw close enough...

LIGHT
Upon closer inspection, the lit monoliths have a curious pattern worked into the tone. The symbols are rather arcane, but perhaps they make sense if one tilts one’s head and squints. This one has strokes that resemble tongues of flame. That one is covered in cascading, fluid lines. Another … well, that look more like a
warning sign than anything else.
Interacting with these monoliths results in a warning crackle and the scent of ozone before the monolith
opens. Something comes pouring out of it in response. Gushing water is the most common, matching up with the cascade monoliths; others open to flame or greenery or other odd things. And one
definitely opens up into a vacuum. Careful with that unless you want to have something sucked out into space.
Whatever connection they make is brief and non-traversable, but whatever comes through stays on this side.
DARK
The unlit monoliths aren’t nearly as flashy as their glowing brethren, but they have their own stories to tell. With the help of a little light (and the suit), the interlopers will find that these monoliths are covered from top to bottom in alien script. Most have at least one solid crack or chunk in them - at the juiciest parts! - but there may be enough left to be intelligible, given a little luck.
VISION
The last set hum with an ominous energy that belies their dilapidated appearance. Interlopers who approach these monoliths trigger strange images that float in the air. No two visions are alike, though they all share common themes. Silhouettes descending to the surface of the planet and spreading out across it. Exploring and interacting with an alien environment. There’s something deeply familiar about these shadows despite the variety of body types represented by them. The shape of their clothing is reminiscent of your own suit...
Other snippets are set in space. Here the silhouettes are a darker patch of black against the darkness of space. The mood in these images is strangely pensive, somewhat tense. These figures are searching very desperately for something.
There is one, though, that’s different from all the others. No silhouettes, no searching, no space. Only a shaft of light starting from a point beyond this planet’s moon. At first it’s a too-bright star; then, a solid beam stretching down to the planet itself. The light increases in intensity and breadth exponentially until it impacts physically with the surface of the planet itself. The eruption kicks up huge clouds of dust that race towards the city with all the heat and speed of a pyroclastic explosion. It rises up like a wave...and then crashes down, burying the city.
Eventually, each of the images go dark once again.

BROKEN
Amidst the myriad of strange monoliths and now-flowing water? Is some sort of chassis. The ruined frame of an old robot of some kind, easily as large as a cement mixer's chamber and just as tall. Most of it lies buried beneath the sand, stuck near the far end of one particularly large chamber within the caves' network. It takes a bit of walking to get there, but there's a reward to be had for those who find it:
The room is not empty.Standing in the exact middle is a strange, hulking figure. It stands at eight feet at least, a massive frame encased in black. Whether it's carapace or suit is impossible to tell, and whether or not it's
alive is another story altogether. It stands perfectly motionless, skull-like face staring ahead at the robot's husk as water pools in through cracks and recesses, giving the ground a glass-like appearance through which
tiny grass-like eels can be seen rising from tiny holes in the sand.
For all intents and purposes the figure seems nothing more than a statue.
Eerie.
OOC
There will be an
24-hour event encounter which runs from
Nov 26th at 8:00am EST to
Nov 27th at 8:00am EST. Feel free to let characters toy around & thread in the innermost areas of the city before the main event! Sections will go up in this entry and will be linked here when they are ready.
BONEY
Intercting with this NPC will consist of a single thread only, so tag this comment to get started. "Boney" will reply once every (5) tags, meaning once (3) or more characters have threaded out (5) comments, it will reply.
This thread will close on November 26th at 8:00AM EST.
Reply to this comment to begin interacting with "Boney."
kicks this off by poking things
Not that he lets that stop him. He never has, after all, and he's made it this far so why stop now?
Which is why he starts looking around the room, studying the area closer to the figure, then stepping up close to it. Close enough to try and get a glimpse into its suit, reaching up to prod carefully and curiously at the mask. ]
hope this is okay!
and hopefully this is okay too
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Unafraid, he steps closer. ]
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not sure if robot or statue is supposed to be Boney or the drone
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Lets see if we can one more set started
For this creature's sake, she hopes the later, rather than it possibly having the complexity to feel alone. But selfishly, she wishes she could talk to it.
Are you still in there, Cousin? she thinks, as she hesitantly reaches towards one of its arms.]
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Tagging has been changed to 1 tag every 3 comments!
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Lexa | OTA
[The truth that lies at the heart of their situation (as far as Lexa is concerned) is this: it's one thing to take risks with food resources in order to survive. It's another to touch things out of place. Lexa has been cautious with where she's put her hands for some time now. She's observed the touch of the gashes up above numerous times, all to see how rigid or jagged they might be, but in approaching this deeper level with the others, she's clearly uncertain.
Once they enter this newly lit area, Lexa goes rigid. As a woman who's grown up in a spiritual society, she believes in the significance of symbols and monoliths. Part of her recognizes now that her people's spirituality lied in the very same science that had kept Clarke and her people in the sky—it's prudent that she sees this now—but some part of her will always be superstitious and uneasy. That comes to the forefront here, especially at first.]
Someone with great power built this place, [she says decisively.] We should all be cautious.
b: visions
[Experiencing the memories of a people lost is actually not new for Lexa. When she touches these specific monoliths and finds herself given the silhouettes of what she assumes are the people who once lived here, she finds herself shaken. Remember: that spiritual part of her is still at hand, and she can't help but wonder if she is experiencing her past or future. Are they viewing the lives of those who have gone, or what will happen to them in the future? There are so many holes in the knowledge of what they know here that she can't help but feel disturbed.
And that much is clear: she is unsettled by what she experiences. Deeply so. It's not the visions themselves (even the most haunting of them) that disturbs her, so much as the uncertainty.
Brows knit and facial expression far from the neutrality she typically exhibits, she looks to the person closest to her and asks:] Touch these so that we can discuss them. It's imperative to what we do from here.
B
It's far from ideal but at least it's a start. Now if only one of these dispensed food for them, that would be pretty great. But beggars can't be choosers, so.
He's walking up to the next set of monoliths when he spots Lexa, and he's about to offer her some water when she speaks up. His eyes go from her to the nearest monolith, eyeing it somewhat suspiciously before he finally reaches out to touch it. ] What does it do?
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a
[There's something fucked up going on around here, that much he thinks is obvious. (Or, maybe, whatever it was already happened and they're just seeing the remains; that's just as fucked up, in his estimation.) It'd be stupid to dive-in headfirst without at least thinking about it a little. As antsy as he is for some actually useful information, he keeps reminding himself of that. He's thinking less about the room itself and more about the people he's sure must be behind it; there's a whole culture of context here that's impossible for them to know. So far, anyway.
That said, one of them is going to have to cross the line eventually if they want to get anywhere. It's just better to have more information when that happens than less.
He picks his way towards the closest of the lit monoliths, and stops short about thirty feet back. It's— he's gotta admit, it's creepy, the way it glows dimly in the darkness.]
What d'you think the odds are that this place is full of traps?
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B
Touch them...?
[ She takes a step forward a touches a hand to one of the monoliths, brows knitting as a vision springs in to her mind. ]
Whoa. I see... People? It's hard to tell.
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CLARK KENT | OTA
[ Once the water starts pouring out, Clark immediately looks around. Once he finds a suitable large rock, he digs his fingers into it, hollowing it out until it looks like a bowl. Then he brings it back to the water and fires up his heat vision, boiling it.
If anyone needs a drink, he'll be at the monolith, boiling water and making sure it's safe to drink. ]
[ b: the end of the world as they know it. ]
[ Clark's breath catches. It reminded him too closely of the World Engine and the horror it wreaked among the people. Except this one was successful. Swiping his eyes, he swallows, trying to look back at it closely. Any clue they could find could prevent further tragedy. After it dims, he steps away, not wanting to meet anyone's gaze.
It was too much to bear. ]
[ c: wildcard! if you have an idea, it's fine to tag Clark with it. ]
a.
That's useful.
....how does it work?
[Not technology, she doesn't think. She's quite aware her implanted shielding device doesn't work, which should never happen until she's dead. Although maybe they've been hobbled in different ways. Not a pleasant thought.]
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c
When he next spots Clark about, he approaches with clear intent, mild smile on his face.]
Hey. How you been, fly-guy? [Wow. Definitely not one of your best, Barnes.]
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b.
Hey, Clark. [ His voice is soft, fretful at Clark's turned back. ] You okay...?
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1/2
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a
Okay, he already knew Clark wasn't human, and he's got plenty of experience with elemental magic, but shooting the fire from your eyes is just weird. And kind of hot. Mostly weird. ]
Now I really wanna see you fight a dragon.
[ Ah, 😍 dragons.
Also his science/bacteria/general health knowledge isn't all that strong but he's a survivalist, he gets that boiling water cleans it somehow. ]
Might be a little hot to drink. If you can pry Dorian away from touching everything he might be able to cool it down.
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a
Laser eyes boiling water will get his attention, though, and he's trying not to look sheepish watching him.]
Lacking iodine tablets, I suppose that'll do.
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a
Leave some work for the rest of us, would you?
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HUNK | OPEN TO ALL!
AHHHHHHH!
[ A shout can be heard ringing in the cavern, the source appears to be Hunk in mid-flight, standing meters away from a lit monolith. The whites of his eyes flash wildly. ] Did you - did you see that?
[ Whatever he's so upset about isn't readily apparent, but the faint scent of ozone lingers in the air. ]
I don't think we should be messing around with these...
DARK
Okay - let's see what we got here... [ Speaking to whomever else is in the area, Hunk can be found crouched in front of one of those unlit monoliths (seems safer, so far). His brow pinches in concentration as he tries to make heads or tails of the symbols in front of him, his gloved hand carefully tracing over a long crack in the stone. Not touching this time. Nope.
He turns, glancing over his shoulder. ]
Any of this look familiar to you?
WILDCARD
( hit me up with whatever you want! )
dark
No.
[He does try, though, at least. He scans the whole monolith for anything that looks remotely familiar, then focuses on a smaller section, his good eye narrowed like staring harder at it will somehow yield anything useful. He doesn't even know if he's trying to read it in the correct orientation.
He steps back with a little huff of frustration.]
It looks like fuckin' gibberish. What are we supposed to do with this? It's an alien planet, it's not like there's going to be a "Learn Alien Bullshit in Thirty Days" book lying around somewhere.
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dark.
[ She's been poring over the one next to him, memorising the shape of the runes, scanning for common one, which ones look like they might be sentences. ]
There might be one of these meant for translation.
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light
Uh. Sorry, pal. I wasn’t— [babysitting you] —looking in your direction.
But I coulda told you earlier that messing around with them willy nilly wouldn’t be the best idea.
[Not that he wasn’t planning to do the same thing, but. Winter Soldier. Highly trained assassin. Something about that rings as blatantly more careful than someone screaming in surprise about...whatever just happened to this guy.]
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Allura | OTA
[ Caution is a wise approach, but Allura's headstrong and stubborn, given to ignoring safety. It means, when she reaches the room with the monoliths, all she wants to do is touch them and try to figure out what they mean.
Her hand hesitates over the one with the warning sign, but a slight nudge and she touches it anyway. Luckily, she knows enough about space to skip back hastily and move onto something else. Like the dark ones, which pose less of a risk. ]
Any chance of understanding this writing?
[ She'd ask, of anyone nearby. It's certainly not familiar to her. ]
VISIONS
[ It wasn't too long ago for Allura that her ship was haunted. Well, not exactly haunted, the AI went corrupt, but there was still enough eeriness to the entire thing that the first vision she gets is deeply unsettling, not only because it's so familiar. But that doesn't keep her from touching another, and yet another.
The vision of space, the feeling of tension and desperation to find something is the one that does her, teaches her the better part of caution for the moment. She jerks away from the monolith, face troubled, and doesn't attempt to touch another after that. ]
What were you searching for?
WILDCARD
[ tag allura with anything, if you have an idea ]
MONOLITHS
Maybe I could have once. Do you...actually remember how to read your first language, since you woke up here?
[She knows she's not speaking Radchaii - forms of address in this new common tongue aren't intuitive to her. She knows she was conversant in hundreds of languages from dozens of planets. But she can't access any of that. She finds that more terrifying than their physical environment, really.]
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monoliths
I wish that I could. But it makes about as much sense as most of the other information we've found here.
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monoliths
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clara | ota
[Taken to exploring by herself for the most part, Clara's fascinated by both the light and dark monoliths. While she observes others touching at and opening the ones that light up, she keeps her distance from those, choosing to instead work at attempting to replicate the script she's found on some of the ones that have gone dark. After she and Clark tried writing words they found to make sense out of them in the Hull, she's been very keen to see if maybe the language here can find some kind of meaning for her if she uses it enough. The problem is that things don't ever seem to be consistent, and her mind isn't able to piece together if this is a language she once knew.
She takes to crouching toward the ground and tracing a gloved finger along the dirt to copy what she can. When she makes mistakes or doesn't come up with anything she becomes frustrated and huffs as she wipes at the dirt to erase what she's done. When someone approaches her she glances up at them with curiosity.]
Are you able to make sense out of any of the things you've seen written on anything we've found since arriving here?
Visions:
[Clara's recently seen planets destroyed in front of her eyes. So to see what she's shown doesn't sit well with her. As the vision ends and tears stream down her cheeks, she starts to back away from the source. Knowing that she needs to suck up her emotions so the others here don't think her to be weak, she keeps stumbling her way back until she runs right into someone. She spins about, looking visibly shaken. But at least she's managed to stop her crying. Looking up at who she's just bumped into with wide eyes, she gives a little shake of her head.]
Might want to be careful going this way. You may see things you're not ready to.
visions.
Or I could get answers.
[ Firmly, though it softens into a polite smile at Clara. ]
Are you okay?
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monoliths
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24-HOUR EVENT: THE OVERSEER DRONE
Kharas is dead, the result of The Overseers' overzealous quest to destroy The Atlas. The First, the interlopers--those The Last of the Travellers tried to save. And the strange figure which calls itself "The Last", the one who watched and waited alone on the planet.
The Last has to focus on the interlopers and does not see when the broken robotic hull at the far end of the chamber's three main lenses flicker with light. It records. It broadcasts, a single message:
And that's all that's needed. Without warning the floor of the room begins to shake, just subtly at first. The pristine surface of the water on the floor shatters as ripples begin to blur reflection, and it steadily grows until tiny waves form. All the eels vanish and The Last looks down just as the whole chambers shakes. The ground beneath their feet rises and swells like a bubble about to burst. And then it does.
A large, tarnished blue claw rips its way up through the ground and into the room with enough speed and force to lodge itself into the ceiling. The metallic appendage digs in for purchase but slicing clean through the rock like nothing...leaving behind some very familiar-looking claw marks. It doesn't stop at just an arm though. Easily larger than the robotic husk lying at the far end of the room, this machine's arm alone is the length of a small vehicle. The head that bursts through the ground is the size of a grown man. Its torso is too big and wide to fit in the chamber.
Three bright yellow lights mark its optic sensors as The Overseer Drone emerges from the depths as rock and water crumble around it and swings one massive, deadly clawed hand out towards the room's occupants.
Right before it tears its way clean through the ceiling and breaks through to the city above.
The Overseer Drone Event will consist of a single thread only, so tag this comment to get started! It will reply once every (4) tags, meaning once (3) or more characters have threaded out (4) comments, it will reply. It should look something like one of the following:
Character 1
Character 2
Character 3
Character 4
Overseer Drone
Character 1
Character 2
Character 3
Character 1
Overseer Drone
This thread's outcome will be determined on November 27th at 8:00AM EST but will continue until it is ICly complete. Please remember that the outcome of this event will affect the story path of the game and that players cannot "fail" this event by running out of time; it will simply provide a default ending.
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Shit.
But he doesn't have to worry about it attacking. The whole room starts to shake, reminding him of the fact that like a lot of qunari, he isn't a huge fan of being underground. The possibility of everything coming down on top of them seems suddenly very real, and he also worries that trickle of water might turn into a greater flow. All these considerations pass through his head as he stumbles back from the first quake before the source smashes through the ground, chunks of rock and a mist of dust spraying outwards. "God daaaamn!"
His immediate thought is: get to Dorian or Clark, the only two people he knows of that have power without a weapon. Though he wouldn't mind having a goddamn sword right now, even as the thing that emerges gets bigger and bigger. Big as a dragon; but something in those magnificent beasts calls him to the fight. This is a hideous metallic monstrosity, and he isn't even sure it's really alive. But just like a dragon, they seem as yet completely beneath its notice.
While Bull does his best to get out of the path of that swinging arm, and pull anyone nearby with him, it feels more like an irritated swat. "Where the hell is it going?" he shouts as it knocks out the ceiling. Does it know the way to the Atlas they're all supposed to be finding?
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closed to Clara; immediately after the drone battle
His head lifts just to make sure. To make sure they're out of danger, that they've really made it.
The drone's near the tree, frozen still mid-motion, and Jim lets his head fall back again, sighing breathlessly in sheer relief. ]We've made it. [ His voice sounds incredulous, and in-between loud gasping noises he repeats it again, more to himself than anything. ] We've made it.
[ The trace of a laugh slips past his lips as he looks to the side, grinning at Clara. ] Okay, let's never... never do that again.
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Where's your sense of adventure?
[She teases him, knowing that they're lucky they managed to get through things with only some minor bangs to their heads. Slowly, she pushes herself to sit up so she can look over at him. He seems alright, he was able to run and he's talking just fine right now, so actual injury probably isn't a thing she needs to worry about.]
I'm pretty sure this place is going to keep throwing things like that at us. Best be ready for it, Captain.
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